VO "Aesthetics in Deleuze and Guattari" (Stephen Zepke): Unterschied zwischen den Versionen
Anna (Diskussion | Beiträge) K (→Discussion: Zepke) |
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+ | This course examines the role of | ||
+ | aesthetics in the philosophy of Gilles Deleuze and Félix Guattari. Aesthetics | ||
+ | is central to their work inasmuch as it is inseparable from their ontology, and | ||
+ | it is this inseparability that both marks their contribution to twentieth | ||
+ | century thought and congeals a new trajectory through the history of philosophy | ||
+ | in their readings of, amongst others, Kant, Spinoza, Nietsche and Bergson. As | ||
+ | such, Deleuze and Guattari’s ontology is no longer focussed on the question of | ||
+ | ‘what is?’, the question of essence or ‘Being’, but on the question of ‘what | ||
+ | happens?’, the question of energetics or becoming. In answering this question | ||
+ | the problems of sensation and creativity are foregrounded as at once aesthetic | ||
+ | and ontological problems. | ||
+ | |||
+ | |||
+ | The course is designed to give an overview | ||
+ | of the work of Deleuze and Guattari, both the books they wrote together and | ||
+ | separately, and gives an introduction to the philosophical discipline of | ||
+ | Aesthetics. The course will trace the development of Aesthetics through some of | ||
+ | the central problems it poses (the conditions of experience, beauty, the nature | ||
+ | of the sensation, the affect, formalism Vs expression, abstraction), while | ||
+ | focussing on philosophers that Deleuze and Guattari specifically engage with | ||
+ | over aesthetic questions (Kant, Nietzsche, Spinoza, Bergson, and | ||
+ | Merleau-Ponty). Attention will also be given to Deleuze and Guattari’s | ||
+ | development of these problems and philosophies in relation to various aesthetic | ||
+ | periods and concepts (Romanticism, Modernism, abstraction, the avant-garde, | ||
+ | etc.), to art historical theory (Heinrich Wölfflin, Alois Riegl, Wilhelm | ||
+ | Worringer, Clement Greenberg) and different art practices (painting, music, | ||
+ | cinema, etc.). Finally, Deleuze and Guattari’s differences to and similarities | ||
+ | with other contemporary Aesthetic philosophies will be discussed (Badiou, | ||
+ | Ranciere). | ||
+ | |||
+ | |||
== [[Kant, week 1–3)]] == | == [[Kant, week 1–3)]] == | ||
Version vom 19. November 2008, 21:20 Uhr
This course examines the role of aesthetics in the philosophy of Gilles Deleuze and Félix Guattari. Aesthetics is central to their work inasmuch as it is inseparable from their ontology, and it is this inseparability that both marks their contribution to twentieth century thought and congeals a new trajectory through the history of philosophy in their readings of, amongst others, Kant, Spinoza, Nietsche and Bergson. As such, Deleuze and Guattari’s ontology is no longer focussed on the question of ‘what is?’, the question of essence or ‘Being’, but on the question of ‘what happens?’, the question of energetics or becoming. In answering this question the problems of sensation and creativity are foregrounded as at once aesthetic and ontological problems.
The course is designed to give an overview
of the work of Deleuze and Guattari, both the books they wrote together and
separately, and gives an introduction to the philosophical discipline of
Aesthetics. The course will trace the development of Aesthetics through some of
the central problems it poses (the conditions of experience, beauty, the nature
of the sensation, the affect, formalism Vs expression, abstraction), while
focussing on philosophers that Deleuze and Guattari specifically engage with
over aesthetic questions (Kant, Nietzsche, Spinoza, Bergson, and
Merleau-Ponty). Attention will also be given to Deleuze and Guattari’s
development of these problems and philosophies in relation to various aesthetic
periods and concepts (Romanticism, Modernism, abstraction, the avant-garde,
etc.), to art historical theory (Heinrich Wölfflin, Alois Riegl, Wilhelm
Worringer, Clement Greenberg) and different art practices (painting, music,
cinema, etc.). Finally, Deleuze and Guattari’s differences to and similarities
with other contemporary Aesthetic philosophies will be discussed (Badiou,
Ranciere).
Inhaltsverzeichnis
Kant, week 1–3)
Nietzsche, week 4)
Spinoza, week 5)
- Lecture Stephen Zepke (audiobook-format m4b; works for example with Apple iTunes); As this is a RapidShare-Downloadlink any file that has not been accessed within 90 days will be deleted by the provider. Please remove this link as soon as it is not working anymore. Thanks!
Bergson and Cinema, week 6)
Deleuze and Merleau-Ponty, week 8)
Guattari, week 9)
Visual Art and Art History, week 10–11)
Deleuze and Guattari, and their Contemporaries, week 12–13)
Discussion (Zepke)
Weblinks
Texte:
- webdeleuze.com (Texte, Vorlesungsmitschriften)
- generation-online.org (Gilles Deleuze and Felix Guattari)
Videomitschnitte: